Get the story behind Centretown's murals, while you still can

We're more than a year into the pandemic, andthere's a decent chance the trusty neighbourhood walk one of ourfew consistent outlets for physicalexercise and mental stimulation is starting to feel a bit stale.

Well, we wantto help.

Over the next few weeks, we'll be rolling out curated neighbourhood strolls designed to give you new insight into the streets you've been trudging along allthese months.

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• New CBC Ottawa series brings life to your daily walks

And while previous entries in this series required you to actually live in the neighbourhood, thanks to the stay-at-home order, there's good news, intrepid city walkers: that order has now been lifted.

This week: Kimberley Dawkins of Ottawa urban art and hip-hop festival House of Paint shares the stories behind the sometimes-fleetingmurals of Centretown.

A good starting point, Dawkins says, is the secluded parking lot beside the Arlington Five coffee shop, just off Bank Street.

Last summer, a number of pieces were installed in the parking lot by muralists, graffiti artists and other visual artists as part of a collaboration between House of Paint and the caf.

The sheer concentration of work a cartoon shark, a vibrant pink flamingo, a tribute to action hero Black Panther makes it "a wonderful jumping-off point" for people to get acquainted with the names in the local scene, says Dawkins.

Its semi-hidden nature also rewards the observant walker, she adds.

"This is the sort of space that asks you to stop and pay attention, and to take a deeper look at what's going on in your neighbourhood," Dawkins says.

• House of Paint festival director shares 4 favourite street art spots

From there, Dawkins suggests heading north on Bank, hanging a left at Gladstone Avenue, and popping your head into another parking lot, this time next to Spaceman Music.

You'll immediately be confronted by a bear with a piercing pair of eyes, painted onto a garage with ears sticking out beyond the structure's confines.

Created by a Chilean-Canadian artist who goes by the name "Shalak Attack," it's one of Dawkins's favourite pieces in the downtown. And if you spin around 180 degrees, you'll see more of her work:a large face created by the Clandestinos collective.

"Many of the pieces that we're looking at are not necessarily all by one artist," said Dawkins.

"They're not all painted by one person, which is another really exciting thing about murals that they're often a creative space for collaborative work."

From there, it's a bit of a hike west along Gladstone Avenue all the way to the McNabb RecreationCentre.

High up the wall on the centre's southwest side is a mural initially during the city's Pride week in 2015to honour murdered transgender women of colour.

After it was defaced, the mural was repainted and relocated to the centre, where it was installed well off the ground.

"Folks were very passionate about ensuring that it was kept safe," Dawkins said.

Dawkins suggests then wandering north through McNabb Park and the neighbouring streets to Dundonald Park.

You'll find assorted bits of public infrastructure adorned with paintcheck out the fish swimming along a concrete barrier at Somerset Street W. and Bronson Avenue as well as brightly coloured benches in the park itself, funded through the City of Ottawa's Paint it Up! program.

Not only do thosesorts of works make streetscapesmore vibrant, they also give cities an "idiosyncratic" character, Dawkins says.

"Each city is going to have a different artist, and each artist is going to have a different perspective," said Dawkins. "[It's] part of what creates a dynamic and vibrant and exciting city space."

Finally, head north to Bank Street at Lisgar Avenue to see what remains of the "We Gon' Be Alright" mural.

Painted on construction hoarding by Jimmy Baptiste, Allan Andre, David D. PistolandKalkidan Assefa, the "affirming and reassuring" mural went up in the summer of 2020 amidst global anti-Black racism protests, Dawkins says.

A vicious storm blew down the part of the piece that faces Bank Street,but the Lisgar Avenue stretch remains serving as a reminder, Dawkins says, of the sometimes ephemeral nature ofmurals.

"That's the nature of public art, right?" says Dawkins. "You're literally subject to the world. Sometimes that happens, and it is really unfortunate."

For more stories about the experiences of Black Canadians from anti-Black racism to success stories within the Black community check out Being Black in Canada, a CBC project Black Canadians can be proud of. You can read more stories here.