2019 CBC Nonfiction Prize winner Jenny Boychuk examines the relationship with her mom in Antonyms for Daughter | CBC Books - Action News
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Literary Prizes

2019 CBC Nonfiction Prize winner Jenny Boychuk examines the relationship with her mom in Antonyms for Daughter

Jenny Boychuk won the 2019 CBC Nonfiction Prize for Slow Violence. The 2022 CBC Poetry prize is now closed.

'If I'm not a daughter, what am I?'

Jenny Boychuk is the author of the poetry collection Antonyms for Daughter. (Dean Kalyan)

Jenny Boychuk is a poet based in New Westminster, B.C.Shewon the 2019CBCNonfiction Prize for her story Slow Violence.

She holds an MFA from the University of Michigan'sHelen Zell Writers' Program. Her poems and essays have appeared in the Walrus,Best New Poets 2016, the Malahat Review, the Fiddlehead,Grain, the New Quarterly andPRISM international. In 2018, she won theCopper NickelEditors' Prize in Poetry.

The 2022CBC Poetry Prizeis open for submissions until May 31, 2022 at 11:59 p.m. ET. The finalists will be announced in fall 2022.

TheCBC Poetry Prizerecognizes works of original, unpublished poetry, up to 600 words in length. The winner will receive $6,000 from theCanada Council for the Arts, have the opportunity to attend a two-week writing residency at theBanff Centre for Arts and Creativityand have their work published onCBC Books.

(Signal Poetry)

Antonyms for Daughteraddresses a harrowing subject: the loss of the poet's mother to addiction. Boychuk creates unsparing scenes of their complicated life togetherand attempts to wring clarity from memories ripe with trauma and love. Shequestions whether it is possible for a child to ever extricate herself from an abusive parent to become, as it were, a living "antonym" of a painful family legacy. Antonyms for Daughteris a singular example of grief transformed into art.

Boychuk spoke to CBC Books about writing Antonyms for Daughter.

Antonyms for Daughter was inspiredin part by your mother's death. How didthestrained relationship you had with her also factorintothese poems?

It's a lifelong story in some sense. But essentially, my mom was a registered nurse and she went through a lot of trauma as a kid, and a lot of trauma in her job as well. She had always struggled with various mental illnesses. After some more traumatic events and also some physical injuries, she essentially spiraled into substance use. So that was something my family and I wrestled withfor many, many years.

Thisbook is about this duality of this person who is my mother and who could be incredibly kind and loving. She was a nurse and she loved taking care of people, but she could also be incredibly hurtful and damaging and abusive.

Thisbook is about this duality of this person who could be incredibly kind and loving... but also incredibly hurtful and damaging and abusive.

When someone so close to you is going through that, it sort of becomes the lens through which you see everything as well. So then after that person passes away, it's really hard to detach yourself from them. It's really hard to know how to go forward.

The book wrestles with that duality of her as a complex human and also with the grief and trying to figure out how to move forward as a singular person in the world.

In Antonyms for Daughter, there are a few poems from when you werea child where your mom wasn't the kindest to you about your body and seemed generally unsupportive. Why did you want to write poems from that perspective?

Many of those poems actually came earlier, and those are some of the first ones that I wrote. It was when I was starting to explore writing about some of the trauma that I had been through. Those kinds of comments happened as long as she was alive. But that was before I knew very much about her mental illness. And it was also before things intensified with her substance use. So those were some of the first traumatic kindsof memories that I have.

When you're dealing with parents who have narcissistic tendencies, they can't see you as a separate person and they can only see you as an extension of themselves.

Where and how did you write the majority of this book?

My process is generally to read first. So I'll pick up whatever collection of poetry I'm reading at the time and grab my notebook. Usually once I start reading, lines will come to me, or sometimes maybe a whole poem. So I sort of do a first draft in a notebook and then I sit down at my computer and try to put the pieces together. Sometimes I'll even write on sticky notes and then try to make sense of them as well.

Is it weird to write in your home when you're writing about your mom?

I was writing the poems in the book over about eight years. So for some of that timeI was living in my parents' house,and some of it I wasn't. For some of it, I was as far away as Michigan, going to grad school. I did a ton of writing at my parents' house, especially in the summers when I was off from school. I don't want to say it felt secretive, but I always feelstrange to know that I was writing about my mom and to also hear her walking around upstairs above me. I had to look at my bedroom as my own space and set that boundary.

What does the title of your book mean?

I think "daughter" can have a couple of antonyms. Some people would argue that it could be a son, or it could be a parent or a child.

But essentially, it's me asking the question:"If I'm not a daughter, what am I?" If my mother has passed away, does that still make me a daughter? If my mother was not always kind to me, does that still make me a daughter? How do I move forward and start to define myself as something other than her daughter? How do I make a place for myself and the world after everything that's happened?

If I'm not a daughter, what am I? If my mother has passed away, does that still make me a daughter? If my mother was not always kind to me, does that still make me a daughter?

Didyou end up telling your parents about your book before your mom died?

No, I didn't. When I was in grad school, I was writing a book about being afraid. It was essentially about being afraid that she would pass away because of everything that she was going through. And then right when I was at the tail end of the book while I was on a fellowship, that was when she did pass away. And so the book shifted then to become more about her, her death and the grief process.

At that time, I was writing a thesis a collection of poems, which was this book. My mom had really wanted to read the thesis and I justkept putting it off. I kept saying, "Oh, yeahI'll send it to you." But I didn't. I think my dad knew that I was working on a collection of poems and I think he knew what itwas about as well, especially after [I won]the CBC Nonfiction Prize.

What is something about your writing process that readers mightbe surprised to learn?

I think what they would be most surprised to learn is that there used to be a lot more Antonym poems. When I first started writing Antonym poems, it was about somebody elsea childhood friend who passed away [when I was] in my early 20s. Over time, those poems shifted to become more about my mother, and there are fewer of them. But that's in some ways what started this whole project, but it took a 180-degreeturn and it evolved a lot over the course of eight years.

Since winning the 2019 CBC Nonfiction Prize,how has life changed for you?

At that time, my first poetry collection was still a manuscript and hadn't been picked up yet. I was working on the final drafts and final edits and getting ready to send that out. In the two and a half years since I won that prize, the book has come out. So that's definitely changed my life in some ways. At that time, I had just moved back to Victoria and I've gonethrough a career change in that time as well. I was able to teach some writing courses.

It's pointed me in the rightdirection, in terms of realizing what was important to me and what was important to my work. It gavemy work a direction and there's a larger project that I am always working on to some degree.

Winning the CBC Nonfiction Prize pointed me in the rightdirection, in terms of realizing what was important to me and what was important to my work.

When you entered the CBC Nonfiction Prize, wereyou hoping to make writing your career? Or did you enter the prize just because you had writing you wanted to share?

The way that I've always viewed prizes and contests is that they create a deadline for you. It provides a little bit of motivation that way. And there have been a fewother writing-related things in my life where the odds hadn't been very good, but they had worked out. But I never expected to win. I had been longlisted once before, and I would have loved to have even been shortlisted this time.

What advice would you give to writers who need that extra push to enter their work to the CBC Literary Prizes?

I think you just have to do it and not really worry about what the outcome is going to be or who's going to read it. I think if you do have a little bit of time left to give yourself some space from it, it's always super helpful to put it away and go for a walk or leave it for a day and then come back. And ideally you've given yourself enough time so that you reach the point where you know you've done everything you can with the piece and you feel happy.

It's not always the case, but I know for me, part of my process includes getting a draft done and then leaving itsometimes for a week or two, which is what I did with my CBC story and then going through that revision process. For me, that's really where the joy is, the revision process.

Do people need to enter their work into writing contests to begood writers?

You don't have to send your work in to a contest or engage in similar opportunities to be a writer by any means, and you don't have to do it to be a good writer. But I think it opens doors that honestly you can't imagine would open for you otherwise.

Every contest you enter, every time you send your work out into the world, you're planting a seed and you just don't know what's going to come from that.

Every contest you enter, every time you send your work out into the world, you're planting a seed and you just don't know what's going to come from that. So I highly encourage writers who are ready to share their work to do so, because I think it can really change the direction of your writing career.

This conversation has been edited for length and clarity.

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