How Indigenous dancers connect with their power through performance

Edzi'u and Dut Zi Zi Sus Loverinare separated by two decadesin age, but they're close.

Edzi'uwas in the room when her youngersister was born and smiles at the memory. Dut Zi Zi Susoften looksonher elder sisterfor guidance when she isn't sure what to do next, burying her face in theirhugs for comfort.

The sisters are side by side when they practice and perform with Git Hayetsk, thenorthwest coast First Nations dance group, with a base in Vancouver.

Canada once jailed Indigenous people for dancing. Today, Edzi'u, 31, and Dut Zi Zi Sus, 9, are part of a newgeneration finding an inner balance through dance culture, tapping into their own legacies, honouring those who came before them and laying foundations for those to come.

"When we dance, we are whole and stepping into our own power separate from what's done to us," said Edzi'u.

"We are dancers, this is our culture and itshouldn't be that we have to defy any other people or any other state to do that."

The Potlatch law

Indigenous dance was outlawed when potlatch ceremonies held to celebrate births, marriages, naming of children and other milestoneswere banned under an amendment to the federal Indian Act in 1884. The ceremonies wererecognized as particularly integral to the culture of coastal First Nations, targeted by colonizers who wantedto erase Indigenous culture.

Dance, a fundamental part of the potlatch,was considered a crime.

The law was seldom enforced until authorities were alerted to a potlatchheld atMimkwamlisor Village Island, off the Central coast of B.C. in 1921.

Dozens ofKwakwakawakw leaders and their peoplewere arrested. Twenty-two were imprisoned for months at the Oakalla prison farm in Burnaby, B.C., as punishment fortheir crimes: dancing, giving speeches and exchanging gifts.

The potlatch banwas repealeda generation laterin 1951.

Edzi'u Loverin, a mixed-race Tahltan and Taku River Tlingit musician, joined the Git Hayetskdancing groupsix years ago. Hersister startedthree years later.

"Dance is just a connection with ourselves and with our ancestorsin practising our culture ... and, really, resisting against colonial violence," said Edzi'u,sitting down for an interview at her apartment in East Vancouver.

"When I'm dancing, I'm dancing for people that can't dance. I'm dancing for all of my relatives, relations, ancestors that died in the residential schools and died because of colonialism that are currently dying because of colonialism," she continued.

"The dancing that I do is my culture," Dut Zi Zi Sus said in her owninterview, her sister standing close by. "I do it for the people that weren't allowed to or couldn't. It makes me feel happy when I dance for them ... and also kind of sad."

The sisters' father, Tlingit-Tahltan filmmaker Gordon Loverin, directed adocumentarychroniclingthe history, resiliency andfuture of Indigenous dance withincoastal First Nations. Beyond Human Power coverstheGit Hayetskdance group, as well as The DakhkKhwanDancers andKwanlin Dghlhaan k'eDancersin the Yukon.

Watch Beyond HumanPower on CBC Gem:

Loverin, 56, grew up in anothertime. His grannyand great-grandmother would sometimes sang to family during his childhood in Cassiar, near the B.C.-Yukon border, but dancing was only quietly displayed with certain family members andlikely only for special occasions.

"It's different now," said Loverin, who lives in North Vancouver but feels at home in the Yukon.

"People all over the north, all over the coast, all over B.C. are singing with pride. They're singing with an overwhelming confidence in their culture and they're not shy anymore. It's gone 180 degrees from a time of being put in the closet and kept "hush-hush"to now, where we literally have festivals all over Canada and the United States celebrating song and dance and and cultural practices."

One such celebration isHaa usteey. Meaning "our way of life," theinland Tlingit celebration brings Tlingit people and visitors together to reconnect through workshops, food and dance in the Yukon every second year.

Edzi'u and Dut Zi Zi Sus travel to the Yukon to perform with the Git Hayeskgroupduring the festivities. Their fatherfilmed one of the final portions of his documentary during the celebration.

"It's not often that a filmmaker gets to come home and tell a story about his own people ... turn the camera on his own children and see them tell a story that should have been told a long time ago," Loverin said.

"Nothing could be more prouder. Nothing can be more emotional," he continued.

"Before we began filming we stood in a circle, we held hands and we had an Indigenous prayer and then we looked at each other and said, 'OK, let's get to business and get this done because we're here to show the world who we are.'"

Beyond Human Poweris part of the CBCdocumentary seriesAbsolutely Canadianavailable on CBC Gem.