Largest contemporary Indigenous beading exhibit in North America comes to Hamilton

The Art Gallery of Hamilton (AGH) will debut a new contemporary Indigenous beadwork exhibitionthat organizerscall the largest North America has ever seen.

Radical Stitch, originallyfrom The MacKenzie Art Gallery in Regina, Sask.,brings together works from 35 contemporary Indigenous beaders. It will stay in Hamilton from Feb.11 to May 28and the opening weekend hasfree admission.

The curators are Sherry Farrell Racette, who is Mtis, Algonquin and a member ofTimiskaming First Nation in Quebec; Cathy Mattes,who is southwesternMichifin Manitoba;andMichelle LaVallee, who is Anishinaabe, Ojibwe and a member of the Neyashiingamiing Chippewas of Nawash Unceded First Nation in Cape Croker, Ont.

The name Radical Stitchcomes from the idea that surviving as an Indigenous person is a "radical act" and the themes displayed in the exhibition show a "radical love."

"We wanted this space to be full of laughter and joy and tears,"Farrell Racette said in an interview Thursday at the AGH, as the team prepared final touches before Friday's opening. All three curators were in Hamilton this week to see the work come to life.

The work to create the exhibition started in 2019 and was mostly organized through text messages, according to the curators. They considered over 100 artists for the exhibitbefore narrowing down the list. The final pieces are from artists as far asNew Mexicoand as close as Six Nations of the Grand River.

The colours from the exhibits jump out off the walls and out of the glass cases. There's something for all ages, the curators say.

Many of the artworks are also connected to each other and explore a range of emotions from whimsical Lego-like figurines, to glow-in-the-dark brain scans to memorials, responses to social issues and fashionpieces.

There's also an open sectioncalled The Beading Room meant for people to have conversations and reflect on the work.

Guest beaders will also be at the exhibitionto share their traditionalbeadingtechniques, according to AGH.

The curators hope to inspire people to start beading and raising awareness of beading as a fine art, rather than just seeing it as a craft or hobby.

LaValleesummarizes how she hopes visitors will feelin three words awe, inspiration and appreciation.

Mattes said beading is acontinuation of ancestor artists who experimented with the artformand learned from mentors.

"I see the work as offerings. My hope is peoplecome in and receive the offerings the artists are giving us," she said.

Farrell Racettesaid beading has been around for centuries and used to bemade from shell andfruit seeds before glass and other materials were introduced. Beads have also been expensive and hard to get, she said.

"All the things involved with beading, the thread and the surface is ... a living material you're working with," Farrell Racette said.

Farrell Racette also said people are reclaiming bead work and said the exhibition itself is an act of sovereignty.

"People didn't expect us to thrive and this exhibition shows not only are we surviving, we're thriving," she said.

"This is literally just the tip of the iceberg."

The AGHis also hosting an exhibition byOmaskko Cree artist Duane Linklater,which focuses onthe former Shingwauk Residential Schoolin Sault Ste. Marie, Ont.

Part of the institutionwas built by the kids forced to attend the school,saidMelissa Bennett, AGH's senior curator of contemporary art.

She saidLinklater's exhibition is meant to serve as "a moment for pause" in comparison to the beadwork shownin adjacent rooms.

That exhibition is open fromFeb. 11 to May 22.