Centaur Theatre's new playwright in residence is on the trail of her doppelgnger

The first time Montreal playwright Michaela Di CesareencounteredMichelina Di Cesare, it was a case of mistaken identity.

The women share almost the same name and look strikingly alike only they were born more than a century apart.

It all started when Michaela Di Cesare's mother-in-law googled Michaela'sname, trying to buy tickets to a show in which her daughter-in-law was performing.

What came upwas a reference toMichelina Di Cesare.

Michelina was a brigand and a rebel, fighting against the unification of Italy. Shewas captured and killed by soldiers in 1868.

Staring at the photo ona computer screen, MichaelaDiCesare was struck by the physical resemblance.

"She looked exactly like me," she told CBC Montreal's Let's Go. "Ihad never heard of her before."

Beyond the similarities in name and appearance,Michelina hailed from Caspoli, in the province of Caserta the same small town in southern Italy where Michaela's father was born.

Unlikely a coincidence

After two years of research, Michaela Di Cesarehas concluded that can't be mere coincidence.

"It seems like there's likely a connection between us a family connection," she said.

It's difficult to know for sure, since so many records were destroyed in the Second World War. But the journey back in time into her own family history inspired herto write a new play.

The working title of her play is Terroni: A "Spaghetti" Western,and it focuses on Michelina and her fellow rebels' fight for their territory.

Di Cesaresaid she's drawing on old Westerns and cowboy motifsin order to create a "really epic saga."

She said the history of Italian unification was largely unknown to her growing up as an Italian-Canadian in Montreal, and she's learned a great deal through her research.

Spending time thinking about her "twin" Michelina,Di Cesaresaid she was moved by the rebel'swillingness to sacrifice everything for a cause she believed in.

"She's teaching me a lot about myself. I consider myself an activist. I consider myself a feminist. And then I look at this woman, and she was willing to die for something. It makes you question your own ideals."

Finding a place to write

Di Cesare, whose most recent play Successions premiered at the Centaur Theatre last season, spent the better part of last year working onTerroni: A "Spaghetti" Western.

With a first draft in hand, she approached Centaur Theatre's artistic director,Eda Holmes, to pitch her idea.

Since the 1970s, Centaur Theatre has been supporting English-language Montreal playwrights such asVittorio Rossi and David Fennario, through its residency program.

This year,Di Cesarewill follow in their footsteps as the playwright in residence for the 2019-20 season.

She said the residency "provides structure and stability" as well as a firm deadline to work toward.

"The biggestthing is that it means I need to get dressed to write," she joked."I spent a lot of last year in a bathrobe."

"Honestly, just getting up and having a desk and having a place to go is a huge motivator for writers."

Di Cesare hopes to have a production-ready version of her script by the end of the spring.

Looking forward to the stage

Di Cesare saidwriting can be a "lonesomeprocess," and she's looking forward to sharing her work first, with other artists at the Centaur, and eventually, with the public.

This comes with its own challenges, however.

Used to performing in her own plays, she said the staging ofSuccessionswas the first time shesat in the audience and watched with everyone else. It left her feeling "vulnerable," she said.

"Sitting in the audience and people not knowing that you're the writer behind itis so much scarier than being onstage," she said. "They can say anything.They can say they hate it, and you're sitting right there."

When it comes to Terroni: A "Spaghetti"Western,Di Cesaresaid she hasn't closed the door on performing in the role of Michelina herself.

"It would be really tough in an audition processbecause we're already identical twins," she said.

"Somebody would really have to convince me that someone else should play the part."