Meet Franois Barbeau, the man behind the Nutcracker costumes

Midway through the Grands Ballets Canadiens run of the Nutcracker at Place desArts, 79-year old costume designer Franois Barbeau is already mulling over improvements to costumes for next years Nutcracker.

"Every year we sit at the back and we look at the run through and we decide what we could do to make it even better. If I could, I would redesign all the production why because Im still alive and I love to do it."

I met up with him at his workshop on St-Viateur Street in Montreals Mile End.

The gymnasium-sized workroom is stacked floor to ceiling with cardboard boxes of bodices, skirts, dresses, hat forms, shoes, some dating back to the 1800s samples Barbeau keeps for inspiration and historical accuracy.

Barbeau rifles through his first sketches to see what he might change, looking for comfort from new fabrics,sparkle from light-catching fabrics, all the while deepening his understanding of the importance of strong colour.

Barbeaus costumes were inspired by a trip to a Nutcracker performance with his own daughter years ago.

"When my daughter was young, I used to take her to see Nutcracker but it was another production and she loved it and thought it was so wonderful.I was always frustrated it lacked colours. It was alright,but in my imagination,as she was almost dancing in the aisle, I was just trying to figure out what Iwould do."

Shortly after that, in 1987, choreographer Fernand Nault asked Barbeau to do just that.

For almost thirty years nowBarbeauhas been perfecting the costumes he first created forNaults choreography. Each year, the company sets aside about $150,000 for improvements to sets and costumes.

Every year, he and wardrobe mistress Mlanie Ferraro go back to Barbeaus atelier to rethink one of the costumes. Last year they traded the heavy braid on the Nutcracker costume for something lighter and easier for the dancer to wear.

This year, its the reindeer costume that attracted their attention.

Even though the reindeer appear only briefly in the ballet, Barbeau wanted to make their white leotards more flattering and comfortable.

He restructured the cut and added colour to side panels.

"Were having stretch velvet [and] we use adifferent shade. Instead of having pure white, we're using icy blue and alittle darker one that will give shape to the dancers that wear it."

• VIDEO: Watch Barbeaushow off the velvet used in the costumes

The teenage dancers say the crushed velvet makes them feel theyre wearing real reindeer fur.

A legacy of design

Barbeauwas already a leading figure in Canadian costume design.

Hed worked at theStratfordFestival andfor theComdie-Franaise.

He won an Emmy in 1971 for Best Artistic Direction for ClaudeJutrasfeature film,Kamouraska. Hes since won an Emmy for the CirqueduSoleilshowDralion(1999) andWintuk(2007).Barbeaualso worked with RobertLepageon two European productionsLaClestine(2005)and the operaARakes Progress(2007).

Hes just designed the costumes for the French translation of SteveGallucciosSt. Leonard Chronicleswhich opens this week atThtreJean-Duceppe.

But its the Nutcracker that holds a special place inBarbeausheart.

"People talk to me about Nutcracker like its a revelation in some ways," he said.

"You watch these wonderful technical things on television where people are flying and everything. But Nutcracker is still magic."