NACO premieres work inspired by Rita Joe's poem of language lost
'Grabbed' by Mi'kmaq poet's words, conductor Alexander Shelley set out to bring them from page to stage
It all started a couple of years agowhen Alexander Shelley, the newly-appointed musical director of the National Arts Centre Orchestra, set about immersing himself in Canadian culture. Shelley, aBrit, also spends a lot of his time in Germanyas chief conductor of the Nuremberg Symphony Orchestra.
"I was reading a lot, as much as I could get my hands on," said Shelley, when he stumbled upon I Lost My Talk, Mi'kmaqpoetRitaJoe's poem about the painof being forbidden to speak her own language at aresidential school.
'The poem just grabbed me'
Shelley was moved by the shortpoem because, although it deftly described a legacy of suffering,it was also a hopeful plea forreconciliationand communication.
"The poem just grabbed me," said Shelley."What I loved about it was the gentleness of the language, the directness of the language, the confidence of the language in these few short lines thatRitaJoe wrote about her experience."
A couple of days later Shelley brought the poem to a planning meeting at the National Arts Centre, and a collaboration was born. Composer John Estacio was commissioned to write the music for the NACO. Creative Producer and director Donna Feorebrought together a team of dancers, actorsand filmmakers to create a multimedia, multidisciplinary presentation.
As the National Arts Centre Orchestra performs the music, Guna and Rappahannock actorMonique Mojicawill step on stage torepresentRita Joe and narratethe poem. Behind them, filmmaker Barabara WIllis-Sweete'simages of First Nations dancers in motion along the shore of Georgian Bay will be projected on a giant screen.
The premiere takes place withinthe context of Art and Reconciliation, a month-long series of dance, music, drama and discussion programmedby the National Arts Centrein response to the Residential Schools Truth and Reconciliation Commission of Canada.
'We have to do it'
Shelley says that he hopes the work, born from painful memories of Canada'streatment of aboriginal children, will ultimately be a redeeming and hopeful experience for the audience.
"Good storytelling is about expressing something individual that is universal, and in Rita Joe's story we have exactly that. The National Arts Centre has to engage with things like this. It's always going to be complex, its always going to be interesting, there's always going to be a lot of different opinions, but we have to do it ... and specifically with this poem she asks for it, she says, 'let me extend my hand and teach you about me,'" said Shelley.
The new workwill have its world premiere on Thursday, Jan. 14, in the National Arts Centre's Southam Hall.