100s of artists attend ECMA buyers program

The live shows and awards are onepart of ECMA week but for the hundreds of artists, it'salso about business.

Musicians met with music bookers and buyers Friday morning to talk aboutways to makea living in the industry.

The 10-minutesessions werepart of the ECMA Export Buyers Program. The program connects artists with agents from all over the world interested inhiring East Coast talent.

Emilee Sorrey, of the bandSorrey,said it's an important opportunity to gain exposure.

"You want them to either come to your showcase, or you want them to check out your music online afterwards," she said.

"Or, you really just want to keep the conversation going. So it's always just about getting a foot in the door, and opening up those conversations so you can have a relationship with them."

'It's really toughto make those connections'

Music bookers have long been coming to the ECMAs to find new talent, but this year nearly 200 were in attendance.

John McLaggan, from the husband and wife duo Tomato/Tomato, said attending events like thisarecrucial.

"Unless you're kind ofa huge international artist orgetting played on the radio all the time, it's really toughto make those connections so they make it happen for us which is amazing," he said.

McLaggan said the industry is changing which makestouring even more important.

"That's where it is now with the growth of streaming, and the kind of decline of CD sales.It's just all about connecting with people live."

'I try to help them get as many shows as they possibly can'

But just as regulartouring is becoming more important, groups like Tomato/Tomato saidit's also getting more expensiveparticularly for those travelling with lots of gear and merchandise.

"We weigh everything before we go to the airport.Everything's exactly you know, point fiveof a pound off the cut-off. So we work hard to cut down as many costs as possible," saidLisa McLagganof Tomato/Tomato.

Some of the bookers said they understand the challenges around travel costs and are working to make flights worthwhile.

Skip Taylor, theperforming arts co-ordinatorwith the Organization of Saskatchewan Arts Councils, said he thinks over the next five to 10 years, the touring model will change.

"I think the good thing that we do is block bookings. So if you get a tour with us if you come to Saskatchewan, you'll do somewhere between five to 10 shows overa two-, three-week period.

"You fly out once, you do a tour of the area and you fly home."

I think there's definitely a trend in that direction.It's economics.- John McLaggan, Tomato/Tomato

Bev Burton,a U.K. festival booker who runsKiller B Music, said she triesto make it worthwhile for artists when booking them by arranging blocks of shows.

"With artists, I try to help them get as many shows as they possibly can."

'You have to start thinking outside the box'

Sorreysaid for larger bands, the complications associated with travelling are greater.

"You can sometimes miss out on those opportunities if you're a large band.We're a five-piece band. We've got a lot of gear, we're expensive to fly anywhere," she said.

"We have to stick ourselves in a van and drive where we want to go."

McLaggan said this is probably why more solo acts and smaller groups are emerging.

"I think there's definitely a trend in that direction.It's economics."

The good news for artists is that there are several music buyers at the program looking to buy songs to put in movies, TV shows, and digital productionsanother way to make a career in music financially feasible.

"Where are the alternative revenue streams for artists? Oftentimes they're online, or they're in digital means, or they're not at the show," said Sorrey.

"So you have to start thinking outside the box."

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