Regina museum showcasing Indigenous depiction of Treaty 4 negotiations

A historic document is getting a modern showcase at the Royal Saskatchewan Museum.

On display is a two-panel graphite and ledger depiction of the Treaty 4 negotiations between the First Nations people of what is now southern Saskatchewan, andparts of Manitoba and Alberta, and the Crown, represented bythen-Lt.-Gov. Alexander Morris.

The pictograph was draftedby ChiefPaskwain 1883, nine years after the signing of the treaty in 1874.

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It is the only document depicting Treaty 4 negotiations from an Indigenous perspective, EvelynSiegfried, curator of Indigenous studies at the Royal Saskatchewan Museum, told CBC Radio'sBlue Sky.

"It's priceless. It's very significant."

A social commentary

"It basically is a comment on what the treaty was about, items that were promised by Lt.-Gov. Morris on behalf of the British crown, and then what had been received by Treaty 4 peoples following the signing of the treaty," Siegfried said.

This was like a social comment from thechief and his advisers about what was happening in Treaty 4.- EvelynSiegfried, curator of Indigenous studies,Royal Saskatchewan Museum

The left side of the pictograph depicts the interpretation of the negotiations from the perspective of the Pasqua First Nation.

The right side shows the supplies promised in the treaty, such as agriculture tools and the outfits promised to the chief and headmen.

"There were people in the First Nations who began to complain about what was happening with the treaties after they were signed," Siegfried said.

"This was like a social comment from the chief and his advisers about what was happening in Treaty 4;what they were seeing."

How it got to the museum

During a powwow in the Qu'AppelleValley in 1883, an English traveller named William Henry Barnebyand two companions were visiting in the area, Siegfreid said.

Barneby was part of a small group of others that decided to drop by the event, where they met seven chiefs.Chief Paskwawas among them.

After a few hours, the group departed and continued visiting around the area, possibly looking for business, Siegfried said. Days later, Chief Paskwaapproached Barnebyand handed him the pictograph, Siegfried said, citing asection ofBarneby's memoir.

She said the pictograph's original intent and expectation, according to oral history, was that it would go to the Queen. Instead, Barneby had it framed and hung it on the wall of his home in Bredenbury, a village in England. It stayed there until 2000, whenBarneby'sfamily put it up for auction.

An anonymous buyer purchased it, held it for seven years and then put it back on the market. It was then bought by the Pasqua First Nation, with the help of the Royal Saskatchewan Museum, the Saskatchewan government and other donors.