Why 2 small Canadian films are making a splash in Hollywood

Two homegrown films are finding success in Hollywood on their own terms by putting Canadian stories and settings front and centre.

The Body Remembers When The World Broke Open, which has received glowing reviews from major outlets including the New York Times and the L.A. Times, follows two women who meet by chance near a bus stop in Vancouver.

Both are Indigenous but they arefrom different walks of life. One is pregnant and escaping an abusive partner. The other appears to have a more stable home, but is quietly facing her own demons.

The film, named after an essay by Vancouver-based Cree poet Billy-Ray Belcourt, is based on a pivotal real-life encounter by co-writer, co-director and co-star Elle-Mij Tailfeathers.

"It's resonating with a broad audience," Tailfeathers told CBC News in Los Angeles. "I think it validates the fact that Indigenous people should be telling their own stories on screen and that our stories matter."

Tailfeathers and Kathleen Hepburn, the film'sCanadian co-writer and co-director, gave an interview whilevisiting the L.A. offices of Array, an independent distribution companyowned by Ava DuVernay. She is anAcademy Award-nominated filmmakerknown for directing Selma, A Wrinkle in Time and the documentary 13th.

DuVernayis backing the film, which had a splashy Hollywood premiere and is now on Netflix in the U.S, U.K., Australia and New Zealand, but not yet in Canada. In Canada, it will be broadcast on CBCin the fall of 2020.

"Ava has such wonderful networks and the ability to really elevate the filmto a wider audience," said Hepburn. "I think every step counts. And this is a huge one for us."

It's a big step for Canada as well. While movies and TV series are shot across the country, the Canadian locations rarely stand in for themselves. Toronto might be New York. Or Vancouver is meant to beL.A. It's less common to have uniquely Canadian stories and cities stand on their own.

Antigone tackles universal theme through Canadian lens

And The Body Remembers When The World Broke Openisn't alone.

Antigone, a French-language film by Quebec-based director Sophie Deraspe, is about an immigrant family in Montreal, who, in the wake of tragedy, must make some impossible decisions.

Deraspe says universal themes should be able to come from anywhere, especially when they'rerelevant everywhere.

Variety called the screenplay "clever" in a review for the film and saidit's sure to findan audience in places divided by the immigration issue: "Namely, almost every developed nation on the planet."

"I wanted to take the side of empathy," said Deraspe. "We have issues with immigration in all of Canada, in the U.S. a lot also. It's an issue that speaks to the Western world and all those countries where we have this mix of different origins, people coming from different parts of the world. This is our world today."

Antigone, a modern adaptation of the ancient Greek play, won best Canadian feature at this year's Toronto International Film Festival andwas Canada's Academy Awards submission for best international feature.

It didn't make the Oscars short list but it's still standing out for other reasons. Newcomer Nahma Ricci, who plays the title role, is being lauded for her performance. She had no professional acting training prior to getting the part but is now traveling to L.A. for more auditions.

Authenticity makes the difference

Deraspe says finding actors with ethnicitiesthat matched those of the main characters was challenging, but important to maintain a sense of authenticity to the story.

Tailfeathers, whose film is also female-led both behind the scenes and on camera, agrees.

Just the simple act of telling an authentic storyis an act ofresistance.- Elle-Maija Tailfeathers, The Body Remembers When The World Broke Open

The Body Remembers When The World Broke Open cast Violet Nelson as Rosie, the troubled mother-to-be. She had never acted on screenbefore.

"Alot of the work that we do as Indigenous filmmakers can often be about challenging this long history of misrepresentation," said Tailfeathers. "Just the simple act of telling an authentic storyis an act ofresistance."