Behind the concerns and complex feelings some Indigenous audiences have about Killers of the Flower Moon

Indigenous audiences are weighing in following the release of Martin Scorsese's historical epic Killers of the Flower Moon.

The film tells the story of the 1920s Osage murders in which an estimated 150members of theoil-wealthy Osage Nation in Oklahoma were killed by white interlopers in a plot to steal their land rights. Scorsese's version followsErnest Burkhart(Leonardo DiCaprio), whomarries an Osage woman named Mollie Kyle (Lily Gladstone) as part of a plandevised by his uncle, William Hale (Robert De Niro), to kill her family and take their wealth.

While critics had much praise forGladstone's performance, some felt her character and the rest of the film's Osage characters were underwritten or stereotypical compared to the film's white lead characters.

Devery Jacobs, a Mohawk actorfrom Kahnawake, Que., who stars in the FX series Reservation Dogs, wrote a threadon X (formerly known as Twitter) describingKillers of the Flower Moon as "painful, gruelling, unrelenting and unnecessarily graphic."

While Jacobs said she knows the goal of the film'sviolence is for viewers to graspthe horror of what happened to the Osage community, she didn't feel like the characters who are based on real-life people were shown honour or dignity in the portrayal of their deaths.

"Contrarily, I believe that by showing more murdered Native women on screen, it normalizes the violence committed against us and further dehumanizes our people," Jacobs wrote.

Mixed feelings from Osage community

The film, which is based on author David Grann's 2017 book of the same name, was made in close consultation with the Osage Nation. Scorsese worked with Osage language consultants anddescendents of the real-life people depicted in the movie. But even with thatcollaboration, there were always concerns aboutthe story being told by a non-Indigenous filmmaker.

Christopher Cote, who was a language consultant on Killers of the Flower Moon, told The Hollywood Reporter shortly after its release that he had mixed feelings about the final product. He praised Scorsese but said he had hoped the film would be from Mollie's perspective.

"I think it would take an Osage to do that," he said.

LISTEN | Osage Nation chief andKillers of the Flower Moon author discuss the film:

The Sunday Magazine24:56The true story behind Killers of the Flower Moon

The highly anticipated historical drama Killers of the Flower Moon opens in theaters across Canada this weekend. The Martin Scorsese film, which is already getting Oscar buzz, details a series of murders of Indigenous people from the Osage Indian Reservation for their oil wealth in the early 20th century. Author David Grann wrote the book that inspired the film. Osage Nation Principal Chief Geoffrey Standing Bear consulted on the adaptation. They both join Piya Chattopadhyay to discuss the true story and the lasting legacy the murders have had on the Osage Nation.

During a conversation on CBC'sThe Sunday Magazine, Osage Principal Chief Geoffrey Standing Bear said that Cote and the community's younger people were expressing anger over a story that, until the film, was seldom talked about by people of his generation.

"My children are Osage, [my] grandchildren are Osage. I don't talk to them about this until now. But I have noticed the younger people are mad about it, are mad about the story, and it had to be told, now that I see this happening, because it's a discussion that's long overdue."

Eric Janvier, a filmmaker from Chipewyan Prairie Dene First Nation in northern Alberta, told CBC News that there's "so much more to this story" than just its three main characters.

Unlike some other non-Indigenous filmmakers who have told Indigenous stories, Janvier said that Scorsese "comes with respect to the cultures that he's representing. Sometimes he doesn't [do] all the legwork, but he at least tries."

'It's the plot of colonialism'

Others felt that the film overlooked the systemic issues at play in the story of the Osage murders.

"One of the challenges I have coming out of it is that I feel that it does provide audiences both a mirror mostly non-Indigenous audiences a mirror to look into," said Jesse Wente, a chairperson for the Canada Council of the Arts.

"But I worry that the mirror directs them to an individual case as opposed to systemic outcomes."

"It wasn't the plot of two white men. It's the plot of colonialism," he said.

During the same conversation, author and former CBC journalist Angela Sterritt said that while she was glad to see the film illuminate this piece of history,she questioned the film's depiction of the Osage as "very sickly, very weak," as well as several graphic scenes that show the bodies of the murder victims.

LISTEN | Indigenous criticson whatKillers of the Flower Moon gets right and wrong:

25:00What does Killers of the Flower Moon get right?

Martin Scorsese's highly-anticipated film about a series of murders in the Osage Nation during the 1920s has finally arrived in theatres. Author Angela Sterritt and culture critics Johnnie Jae and Jesse Wente join host Elamin Abdelmahmoud to react to Killers of The Flower Moon and what it might suggest about who gets to tell Indigenous stories in 2023.

"I just thought there [were] so many more opportunities to represent the Osage people as people who didn't go down without a fight," said Sterritt, who is a member of the Gitxsan Nation.

"From the get go, [they] were standing up for themselves in every single aspect of their lives, not needing awhite saviour to do that for them on their behalf."