Telefilm's Talent to Watch program aims to launch new generation of Canadian filmmakers

Packed inside a gussied-up sound stage at PinewoodToronto Studios this week, dozens of up-and-coming filmmakers met with industry insiders, speed dating-style.

They askedquestions, built connectionsand perfectedpitches during a two-day summit as part of Telefilm Canada's new Talent to Watch program, which tapped the creators of 45 film and digital projects from across the country for its inaugural edition.

Halifax actor Koumbie, who goes by a single name, spent10 years appearing in TV shows likeMr. DandStudio Black, but is now moving into directing. She was selected for Talent to Watch for her first big project, CareCroft.

"It is a digital series for women's experiences going through the medical system in Nova Scotia... struggling to be believed by not just their doctors, but the people in their lives as well," she said, noting that the idea was born from a conversation with her producerabout access to birth control and what she sees as a lack of openness in conversations about it.

'It's that simple'

Talent to Watch greatly expands on Telefilm's former Micro-budget Production Program, according to Francesca Accinelli, the film agency's director of national promotion and communications.

The new initiativewill fund up to 50 projects a yearby first-time feature directorsmore than double the old program. About $5.4 million mainly provided by Telefilm's private donation Talent Fund will be distributed, with each filmmaker receiving a grant of up to $125,000.

"We give them the money, they go make their film or their web content and they show it to the world. It's that simple," Accinelli said.

Applicants must havedirected a short film that was selected to screenat a recognized film festival or be a recent alumni of a partner school, co-opor film festival incubator places where Canada'snext generation of content creators are being discovered, she added.

From criticism to collaboration

One of Telefilm's loudest critics Matt Johnson is one of the architects of the new program. In recent years, the Toronto filmmaker has blasted the Canadian film agency in numerous interviews, decrying its processes and choices.

"They were funding an archaic film model meant for legacy filmmakers who were always more or less making the same movie," Johnson said.

"It left no fertile soil for new voices. Because of that, it was like everything young was being choked out."

About 10 months ago, Telefilm's former executive director Carolle Brabantreached out to Johnson, known for Operation Avalanche and Nirvana the Band Show, and his producing partner Matthew Miller to ask how they would change "the way features were made in this country, for young people," he said.

"We proposed this exact program, the Talent to Watch program. She loved it so we ran with it."

Now, Johnson is predicting massive change and success.

"I feel like within the next five years we're going to see a completely different Telefilm, simply because that ossified structure that they had before is going to be penetrated by all these new voices."

Not only that, he anticipates thatafter five years, the program will have introduced about 250 new first-time feature films or digital productionsa significant wave of Canadian content that will be recognized around the world.

Ultimately, Johnson is happy to have been able to sit down with Telefilm to change the system. He's not finished: he also wantsto see the model Talent to Watch uses to select funding recipients a peer jury system adopted throughout Telefilm.

While trading barbs about Telefilm in interviewswas "great and a lot of fun," he admitted, creating change from within the system "is a lot more productive."