Whither the beats? Jonathan Emile ponders why rap and hip hop struggle in Anglo Montreal
Other art forms seem to have bridged the linguistic divide, but hip hop isn't quite there yet
This is the fourth in CBC's new podcast series,Montreapolis. You can hear a full feature interview with Jonathan Emile on the podcast, bringing you conversations with people who make upmodern Montreal.Click here to subscribe.
Jonathan Emilehas achieved something that few others in Montreal have been able to: he makes a living rapping in English.
Montreal arguablyCanada's cultural capital, where pop music, visual art, dance and design have flourished in both official languages can't seem to get muchtraction with Anglorap and hip hop.
"If I want to do something in thatgenre of music, then I definitely have to make a name for myself outside of Montreal," Emiletold CBC podcast Montreapolis in a wide-ranging interview.
While other art forms seem to have bridged the linguistic divide, Emile said hip hop isn't quite there yet.
"That's why a lot of people, to this day, have never heard of me in the city," said Emile.
"Sometimes Montreal feels like two cities: one of a million anglophones and another of three million francophones."
Successful career
Emilehas done a pretty good job of carving out a career as an AngloMontreal rapper nonetheless, releasing two albums, including his latest Phantom Pain.
He has an interesting backstorywhichhas helped get him attention.He was diagnosed with a rare form of childhood cancer of the soft tissue, connective tissue and bone asa teenager, and manyof his songs are based on that experience.
A victory in a legal battle over a duet with U.S. rap superstar Kendrick Lamar last fall got Emileeven more attention.
He makes it work, but he's one of the few.
Hip hopstuck inlinguistic divide
Quebec pop and rock artists seem to have an easier time appealing to both francophones and anglophones.Artists such as Cline Dion, Arcade Fire, Patrick Watson, Coeur de Pirateand the Barr Brothers have had success on both sides of the linguistic divide.
In rap and hip hop, it's mostly still the two solitudes.
There are several established francophone rap acts based in Montreal groups such as the Dead Obies, Radio Radio and Nomadic Massive, all rapping in more than one language.
But an established anglophone rap and hip-hop scene simply doesn't exist.Emilebelieves it's tied to the nature of the art form.
In hip hop, words matter.
"Hip hop is very American, very Afro-centric. And it's very lyrical and content-based.So in Quebec, not only is it alien in terms of culture, but linguisticallyit's alien, too,"Emilesaid.
Montreal's demographics also play a role.
Whereas Toronto's black population has mostlyCaribbean roots, Montreal's is more diverse. Many black anglophones in Montreal are from Caribbean or East African backgrounds, while the francophone black community includes many Haitians and diaspora from West Africa.
Emilesaidthat diversity provides a rich mix of music, but it hinders a true anglophone rap scene from taking root.
'Remarkable place'
Emile's not complaining. The very diversity that fragments Montreal'srap scene provides artisticinspiration, nonetheless.
"This is by far the most culturally vibrant city in North America. After travelling and after seeing different places in the world, you come back here and you say, 'Wow this is actually quite a remarkable place,'"Emilesaid.
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He's trying to do his part to bridge the gap between the Franco and Anglorap worlds,collaborating with francophone rappers.
He said it might be better for his career to move toToronto or New York, but he's not interested. He'll travelfor work, but Montreal is home.
"If Leonard Cohen couldgo out toL.A. and do what he has to do and still call Montreal home, why can't I?"
You can hear a full feature interview with Jonathan Emile on CBC'snewMontreapolispodcast, bringingyou conversations with people who make upmodern Montreal.Click here to subscribe.