Calgarians sing the blues as bigger, heavier concerts bypass city

It's a song and dance routine you've probably heard before, but in some cases you wouldn't have actually seen it at least not in Calgary.

You may have had to make the trek to Edmonton to see some of the morepopular singers and musicians perform at Rogers Place, thatcity's 20,700-seat concert arena.

Four months into 2019and the list of performers who have skipped or plan to snub Calgary in favour of Edmonton and gasp, even Saskatoon is growing.

Ariana Grande, Justin Timberlake, Ed Sheeran and Michael Bublhave all recently played Rogers Place, but have all kiboshed a trip to Cowtown.

You can soon add Shawn Mendes, Carrie Underwood, Ozzy Osbourne, The Who, Elton John and Celine Dion to the list.

"Nothing's really wrong with Calgary," says Ian Low, one of Canada's top concert promoters.

The Live Nation exec says the biggest hurdle for Calgary continues to be its hockey arena and its saddle-shaped roof. It's simply not strong enough to support the elaborate and very heavy speakers, lights, sets and other production elements included in more and more shows.

"For example, Drake came with an almost 200,000-pound show that would never work in Calgary," he said.

Low, who is the president of the company's central region, says many shows are getting bigger and heavier.

Grande, who performed in Edmonton last week, brought 145,000 pounds of gear along with 22 tractor-trailer units.

He says the average "show weight" is somewhere around 80,000 to 100,000 pounds, but some acts are pushing close to 200,000 pounds that's about 90,000 kilograms.

Low says the Saddledome roof's maximum weight load is 40,000 pounds, or roughly 18,000 kg, during the winter (to accommodate for snow load) and up to 80,000 pounds during the warmer months after the snow has melted.

Those same restrictions don't exist at concert venues in Edmonton, Saskatoon and Winnipeg, where crews can easily string up 200,000 pounds of gear.

Other factors

Jim Cressman, a concert promoter with Calgary-based InvictusEntertainment Group, says there are other factors to consider as well.

He says there could be a scheduling conflict between the tour and the Saddledome's availability, there could be another "competing"artist playing in the market at the same time who could cut into a performer's ticket sales and he points out Edmonton's Rogers Place, which opened in September2016,is still enjoying a honeymoon phase.

"Of course, the artists themselves are all ramped up about getting an opportunity to play a brand new, state of the art building," Cressman said.

"Those things factor in as it pertains to why markets sometimes get skipped," he added.

Cressmansays the Calgary Stampede could also be a factor where some artists commit to a performance during the 10-day event and will therefore skip other opportunities to play in the city.

"It's not like they won't get to the market, they just may not get to it at the same time on this tour," he said.

Relief may be coming

The Calgary city councillorspearheading the yet-to-restart arena negotiations between the city and the Calgary Sports and Entertainment Corporation says the concert snub is something he hears about all the time.

"People are tired of driving to Edmonton for concerts," said Jeff Davison.

Davison, who heads up the city's eventcentre committee, describes it as a financial and cultural loss for Calgary.

"We're the fourth most liveable city in the world ... yet we don't have the ability to bring in global acts. That's a huge concern," he said.

Davison says the city continues to prepare an offer to take to the Flames' owners about a new arena.

So when could crews break ground and start construction?

Davisonpredicts the earliest would be 2021 followed by at least two years of construction.