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Popular Fearless Girl statue might stay on Wall Street

New York City officials must decide if the Fearless Girl statue, which became an immediate tourist attraction when it went up in front of Wall Street's bronze bull, should stay or go.

Has statue of girl confronting the charging bull altered the meaning of a work meant to symbolize resilience?

The Charging Bull and Fearless Girl statues sit on Lower Broadway in New York. (Mark Lennihan/The Associated Press)

Should the Fearless Girlstand up to Wall Street's charging bull forever?

That's the question New York City officials are facing after a statue of a pony-tailed girl in a windblown dress went up in front of the bronze bull early this month and immediately became a tourist draw and Internet sensation.

What was intended as a temporary display to encourage corporations to put more women on their boards is now getting a second look in light of its popularity, which has spawned an online petition seeking to keep it.

But does keeping the girl past her scheduled April 2 deadline forever alter the meaning of the bull? After all, the 3.3 metre, 3,200 kilogram bull has been hugely popular in its own right; it was placed in a lower Manhattan traffic median in the wake of the 1987 stock market crash as a symbol of Americans' financial resilience and can-do spirit.

A woman poses for photos with the Charging Bull statue in New York. Since 1989, the bronze bull has stood in New York City's financial district as an image of the might and hard-charging spirit of Wall Street. (Mark Lennihan/The Associated Press)

'Message of women's power'

Some fans of the bronze girl already see the bull much differently.

"The bull represents men and power," says Cristina Pogorevici, 18, a student from Bucharest, Romania, who visited the statues this past week. "So she is a message of women's power and things that are changing in the world right now."

Holli Sargeant, 20, a visitor from Queensland, Australia, says the 4-foot-tall, 250-pound bronze girl "is standing up against something and we see her as powerful image. She represents all the young women in the world that want to make a difference."

Two women pose with the Fearless Girl statue in New York. Pressure is mounting on the city to let the Fearless Girl stay beyond its April 2 deadline. (Mark Lennihan/The Associated Press)

Bull artist outraged

Such shifting perceptions of the bull from American hero to villain of sorts outrage bull sculptor Arturo De Modica, who wants the girl gone.

He dismissed Kristen Visbal's statue as nothing more than an "an advertising trick," noting the bronze was a marketing effort on the eve of the March 8 International Women's Day by Boston-based State Street Global Advisors and its New York advertising firm, McCann.

As for his bull, "I put it there for art," the Italian-born sculptor told MarketWatch, which first reported his anger. "My bull is a symbol for America. My bull is a symbol of prosperity and for strength."

Girl has changed meaning ofbull 'forever'

Visbal, the artist behind the girl statue, said she could not comment without the permission of State Street Global Advisors, whose spokesman did not return phone calls.

A spokesman for New York City, which controls public art in the area, did not say when a decision would be made. Mayor Bill de Blasio has said only that he would try to prolong the girl's presence, but has not yet said whether she could stay permanently.

The installation of the girl defiantly standing in the bull's path has transformed the meaning of one of New York's best-known public artworks. (Mark Lennihan/The Associated Press)

David Levi Strauss of Manhattan's School of Visual Arts, known for his writings about the impact of art on society and politics, says he is excited by the dynamics the girl statue has brought to the space and agrees the overall meaning has shifted.

"The girl has changed the meaning of the bull forever," he says. "With public art like this, you never know what's going to happen; it's a Rorschach test onto which people are projecting their own opinions and feelings."

When it comes to the girl facing the bull, Strauss said, "the bull's stature diminishes. She's the individual standing up to the beast of power. ... She's frozen in a sort of dream of winning, and that's what appeals to people. She's irresistible."