In her day-to-day life, Lee Godie was a homeless woman who made a living selling paintings on chilly Chicago streets. She kept her belongings in various lockers throughout the city, showered in hotel bathrooms, and slept outside on benches despite freezing weather.

However, in her self-portraits, taken in a photo booth at the Chicago Greyhound bus station, Godie transforms into a 1920s-era "It Girl," dramatically dressed in furs, broaches and floppy hats, posed lackadaisically like the most glamorous of movie stars. With each individual ensemble and pose, a new, glitzy character is born.

It's the palpable tension between the two lives of Godie -- the struggling drifter and the sought after art star -- that makes her images enchanting. She adorned the small black-and-white prints with various embellishments, sometimes pen or paint, other times eyeliner and lipstick smudged in the appropriate spots. On occasion, Godie rubbed instant tea on her face as a pseudo self-tanner.